Nicholson, William (1872-1949), 'Sandwich-Man (Trafalgar Square)', 1898.

'Sandwich-Man (Trafalgar Square)', 1898.

£2,000.00
Wood Engraving, hand coloured by the artist. One of less than 40 impressions from the deluxe edition of 'London Types'. Signed in ink.

'An ill March noon; the flagstones gray with dust;

An all-round east wind volleying straws and grit;

St Martin's Steps, where every venomous gust

Lingers to buffet, or sneap, the passing cit;

And in the gutter, squelching a rotten boot,


Draped in a wrap that, modish ten year syne,

Partners, obscene with sweat and grease and soot,
A horrible hat, that once was just as fine;

The drunkard's mouth a-wash for something drinkable,
The drunkard's eye alert for casual toppers,
The drunkard's neck stooped to a lot scarce thinkable,
A living, crawling blazoning of Hot Coppers,

He trails his mildews-with a Kingdom-Come

Compact of sausage-and-mash and two-o'-rum!'
-Verse written by W.E.Henley

Reference: Colin Campbell 53A.

London Types, 1898

At the end of the century there was a ‘vogue for all things to do with London and Londoners’. London was celebrated in numerous histories and collections of verse and prose dedicated to the city as well as pictures in illustrated newspapers of the day. Thus Nicholson’s decision to do a series of cuts of London Types was certainly welcomed.

William Nicholson cut thirteen designs for London Types: a Bus Driver, Guardsman, Hawker, Beef-eater, Sandwich-man, Coster, Lady, Bluecoat Boy, Policeman, Newsboy, Drum-Major, Flower Girl, and Barmaid. The prints were each accompanied by a quartorzain by W.E.Henley, publisher of The New Review.

London Types was published in October 1898 in three English editions. The rare Deluxe Edition contained woodcuts printed from the original woodblocks which were hand-coloured by the artist, trimmed to the border, mounted on card, signed in pen and ink on the card, and issued loose in a portfolio. Around 40 sets were printed.

Schwartz believes that these woodcuts done for London Types ‘represent the culmination of Nicholson’s work as a printmaker’.

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